Succession Review
2018Jesse ArmstrongTV Show
The funniest drama of its decade, built on a plot that is the same feint four times over.
| Category | Critic | Users |
|---|---|---|
| Plot | Good | |
| Cinematography | Great | |
| Acting | Exceptional | |
| Dialogue | Exceptional | |
| Overall | Great |
The structure is a joke the show is in on. Every season poses the same question, a Roy child gets close to the throne, and every season the answer is no, which would be intolerable if the failing were not the point. Armstrong's room writes insult comedy at a level nobody else attempts inside a drama, and the specificity is what makes it land, because these people wound each other in the private dialect of a family. Kieran Culkin does the hardest thing in the cast, playing a man whose every sentence is a defense mechanism, and Jeremy Strong plays Kendall as someone who long ago confused ambition with a personality.
Brian Cox holds the architecture up simply by being the only person in the room who is not performing. The handheld long lens style, all sudden reframes and eavesdropping zooms, gives corporate boardrooms the texture of surveillance footage. The fourth season's central event is handled with a restraint the show had never shown before. Cruel, extremely funny, and structurally repetitive by design.
Succession at a glance
Official site- Network
- HBO
- Showrunner
- Jesse Armstrong
- Year
- 2018
What’s your grade?
Grade by category
No account needed. Sign in so your grades follow you and count once. · how vote integrity works
Comments
Plain text, 500 characters. Be sharp, not cruel.
No comments yet. Have the first take.