Extraction Review
2020Sam HargraveMovie
A twelve-minute chase through Dhaka, stitched to look like one take, is action filmmaking of the first rank; the grim, thin story around it is not.
| Category | Critic | Users |
|---|---|---|
| Plot | Average | |
| Cinematography | Great | |
| Acting | Good | |
| Dialogue | Average | |
| Overall | Good |
Sam Hargrave spent years coordinating stunts for the Russo brothers on Marvel films, and they produced his first feature for Netflix, with Joe Russo adapting Ciudad, a graphic novel he created with his brother and Ande Parks. The debut knows where its strength lies. Once Chris Hemsworth's Rake has the boy, Ovi (Rudhraksh Jaiswal), the film launches a chase of more than twelve minutes, by car, on foot and by car again, through gunfights and hand-to-hand brawls, stitched to play as one take, with Hargrave strapped to the front of a camera car for much of it.
Hemsworth is better here than in most of his franchise work, heavy, quiet and physically convincing, and Randeep Hooda matches him as Saju, a security chief with his own reasons to reach the boy. Newton Thomas Sigel shoots Dhaka, largely recreated in India and Thailand, in a yellow haze that turns a real city into a war zone, and Bangladeshi critics objected.
The script gives Rake a dead son and the boy a few lines about fathers, and treats nearly everyone else as a target; Variety called it a white-savior version of Man on Fire, and Metacritic sits at 56. The action is the reason it exists, and it is reason enough.
Extraction at a glance
- Director
- Sam Hargrave
- Runtime
- 117 min
- Rating
- R
- Where to watch
- Netflix
- Release year
- 2020
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